GA Raven Single Rod

Raven, 9749 is our densest black.  This colour can be pulled down to a fine stringer and it still maintains its colour saturation.  For a saturated black, this is a surprisingly easy colour to melt and shape.  It does contain chrome, so be sure to take this into consideration.  If you want a chrome free black, check out Eclipse, 9977.  Eclipse is less saturated than Raven, but is a highly workable chrome free black.

Working Tip: Work in neutral flame. If you flash heat in a reducing flame as you finish the project you can produce a look similar to the sheen of a raven's wing.

GA Raven 125grm

Raven, 9749 is our densest black.  This colour can be pulled down to a fine stringer and it still maintains its colour saturation.  For a saturated black, this is a surprisingly easy colour to melt and shape.  It does contain chrome, so be sure to take this into consideration.  If you want a chrome free black, check out Eclipse, 9977.  Eclipse is less saturated than Raven, but is a highly workable chrome free black.

Working Tip: Work in neutral flame. If you flash heat in a reducing flame as you finish the project you can produce a look similar to the sheen of a raven's wing.

GA Disco Sparkle Single Rod

Disco Sparkle, 9958 is an exciting sparkle colour. It is a concentrated silver metallic colour in a clear base. This allows Disco Sparkle, 9958 to be mixed into almost any colour. While many people use the colour full strength, others mix it down as much as 10 parts of clear (or colour) to 1 part of Disco Sparkle, 9958. Even if using the rod full strength it is best to remix the colour prior to using for a smooth, highly reflective surface.

Working Tip:  Disco likes to be worked cool as to avoid yellowing... Treat it like a Crayon colour.

GA Disco Sparkle 125grm

Disco Sparkle, 9958 is an exciting sparkle colour. It is a concentrated silver metallic colour in a clear base. This allows Disco Sparkle, 9958 to be mixed into almost any colour. While many people use the colour full strength, others mix it down as much as 10 parts of clear (or colour) to 1 part of Disco Sparkle, 9958. Even if using the rod full strength it is best to remix the colour prior to using for a smooth, highly reflective surface.

Working Tip:  Disco likes to be worked cool as to avoid yellowing... Treat it like a Crayon colour.

GA Eclipse Single Rod

This next generation black is a true black.  When pulled down thin, it maintains a smoky black colour, versus  purple, green or blue like other blacks on the market. Described by many as “bullet proof”, Eclipse does not contain any chrome, so greying and checking are not a major concern.  If you need a more saturated black, check out Raven, 9749.

Working Tip: This colour can handle different flame atmospheres but as always, we recommend working in a neutral flame.

GA Eclipse 125grm

This next generation black is a true black.  When pulled down thin, it maintains a smoky black colour, versus  purple, green or blue like other blacks on the market. Described by many as “bullet proof”, Eclipse does not contain any chrome, so greying and checking are not a major concern.  If you need a more saturated black, check out Raven, 9749.

Working Tip: This colour can handle different flame atmospheres but as always, we recommend working in a neutral flame.

GA Portland Grey Single Rod

Portland Gray, 9992 was developed to fill a hole in the borosilicate palette. There were no grey rods available and the pre-forms went almost white... how could you make a believable shark? So we made the first opaque grey; we chose neutral # 5 on the grey scale as a starting point.

Working Tip: Per-heat in outer flame.  Avoid rapid heating.

GA Portland Grey 125grm

Portland Gray, 9992 was developed to fill a hole in the borosilicate palette. There were no grey rods available and the pre-forms went almost white... how could you make a believable shark? So we made the first opaque grey; we chose neutral # 5 on the grey scale as a starting point.

Working Tip: Per-heat in outer flame.  Avoid rapid heating.

GA Cobalt Lite Single Rod

The lightest of the Glass Alchemy cobalt colours Cobalt Lite, 510 was designed to provide artists with a density that could be gathered for large sculptural pieces.

Working Tip: Work in neutral flame to avoid reduction (grey streaks)

GA Cobalt Lite 125grm

The lightest of the Glass Alchemy cobalt colours Cobalt Lite, 510 was designed to provide artists with a density that could be gathered for large sculptural pieces.

Working Tip: Work in neutral flame to avoid reduction (grey streaks)

GA Cobalt -1 Single Rod

The second lightest of the Glass Alchemy cobalt colours, Cobalt-1, 511 is a vibrant blue suitable for small sculpture, hobnails and beads.

Working Tip: Work in neutral flame to avoid reduction (grey streaks)

GA Cobalt-1 125grm

The second lightest of the Glass Alchemy cobalt colours, Cobalt-1, 511 is a vibrant blue suitable for small sculpture, hobnails and beads.

Working Tip: Work in neutral flame to avoid reduction (grey streaks)

GA Cobalt-4 Single Rod

The fourth darkest of the six Glass Alchemy Cobalt colours, Cobalt-4, 514 was designed to provide artists with the ideal cobalt blue for small blown work and old skool surface work.

Working Tip: Work in neutral flame to avoid reduction (grey streaks)

GA Cobalt-4 125grm

The fourth darkest of the six Glass Alchemy Cobalt colours, Cobalt-4, 514 was designed to provide artists with the ideal cobalt blue for small blown work and old skool surface work.

Working Tip: Work in neutral flame to avoid reduction (grey streaks)

GA Cobalt-5 Single Rod

One of our most popular cobalt colours, Cobalt-5, 515 provides the artist with a highly saturated, easy to work blue.

Working Tip: Work in neutral flame to avoid reduction (grey streaks)

GA Cobalt-5 125grm

One of our most popular cobalt colours, Cobalt-5, 515 provides the artist with a highly saturated, easy to work blue.

Working Tip: Work in neutral flame to avoid reduction (grey streaks)

GA Cobalt-6 Single Rod

Cobalt-6, 516 was one of our early releases. The darkest of the Glass Alchemy cobalt colours we were faced with, "how dark is too dark"? We had the millifiori maker and the stringer puller in mind when we developed this colour. Now one of our most popular colours, it is used by many any time they need a denser dark colour.

Working Tip: Work in neutral flame to avoid reduction (grey streaks)

GA Cobalt-6 125grm

Cobalt-6, 516 was one of our early releases. The darkest of the Glass Alchemy cobalt colours we were faced with, "how dark is too dark"? We had the millifiori maker and the stringer puller in mind when we developed this colour. Now one of our most popular colours, it is used by many any time they need a denser dark colour.

Working Tip: Work in neutral flame to avoid reduction (grey streaks)

GA Rozay Single Rod

Rozay Rods are a pink version of Purple Rain. Rozay is a vibrant, smooth transparent pink colour that really pops.

Working Tip: Try layering Rozay to achieve a pink tint, or using it in thick solid sections to achieve a vibrant pink.

GA Rozay 125grm

Rozay Rods are a pink version of Purple Rain. Rozay is a vibrant, smooth transparent pink color that really pops.

Working Tip: Try layering Rozay to achieve a pink tint, or using it in thick solid sections to achieve a vibrant pink.

Rozay Rods are a pink version of Purple Rain. Rozay is a vibrant, smooth transparent pink color that really pops.